Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

Sunday, April 15, 2012

Carefree California: Cliff May and the Romance of the Ranch House

If you are anywhere near Santa Barbara from April 12 to June 17, don’t miss this exhibit at The Art, Design & Architecture Museum!

cliff_may_1521

“The exhibition and accompanying catalogue examine the modernization of the ranch tradition and its transition from regional designs in adobe, brick, tile, and stucco to the modest wood and glass tract house of the forties, to the near-minimal system-built ranches May designed and sold in the late 1950s and, finally, to his luxury ranch houses.”

–from the museum website

For more information: http://www.uam.ucsb.edu/Cliff_May.html

Monday, July 4, 2011

Midcentury Modern House Numbers

This topic has been on ongoing one as long as I’ve been a homeowner and interested in MCM.  House numbers, like so many other things marketed to a discerning audience, seem to cost an INSANE amount of money.

Unfortunately, our most recent address has 5 numbers!  At the low end of the house number price spectrum (around $20 a piece), this means I’ll be paying $100 in  house number hardware.

Design Within Reach carries “official” Neutra house numbers at $50 a piece.  Are you freaking kidding me? Bead-blasted extruded aluminum should cost nowhere near this much.f_13956

The best thing going for a while was Chiasso’s numbers clocking in at $18 a piece.

f120-1714

 

Here are a couple more from Atlas Home Wares that are at that price point.

This would be my choice:

atlashomewares_2167_155652486

http://www.atlashomewares.com/avhonu.html

But here’s a Googie option as well:

atlashomewares_2167_160030672

http://www.atlashomewares.com/methousnum.html

 

Hillman Group 6

Surprisingly, Home Depot has established itself as the clear winner when it comes to affordable MCM house numbers.  When I discovered this information online, I had serious reservations.  Surely these would be “ok” but not “good.”  But after heading to the local HD, I found they are in fact quite acceptable, if not great.  They even come with posts for “float” mounting.

IMG_3353

 

There seem to be a bunch of sites that are more “custom” in their ordering process, but you actually have to CALL the company, and the websites look like they were design around 1993.  That combined with the $20+ per number price tag makes me wonder if they ever sell a number.

diy-modern-house-numbers-cuttingIf you’re feeling handy, here’s a little how to for making numbers for yourself (approx. $20 for four numbers… and if you go this route you could then have the “real” Neutra typeface).

Wednesday, March 23, 2011

Help Save (by creating) the Andrew Geller Archives

You know those crazy (crazy-awesome!) geometric beach houses from the 50’s and 60’s like the ones pictured below?  Well those were built by Andrew Geller, and currently his grandson, filmmaker Jake Gorst, is trying to raise funds to create an archive and shoot a documentary about Geller’s works.


You can find out more about the kickstarter project and donate to the cause at this link.



More information can be found at AndrewGeller.net.

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The Hunt House, Ocean Bay Park, Fire Island, NY, 1958
Elkin House, Sagaponack, NY, 1966

Why I Think People are Scared of Modern Houses

[this is a re-posting of an entry I posted on another blog March 31, 2007]
 
We’re starting to look for a new house.
 
We are very excited about the prospect of getting into something modern. The modern that we’re looking at getting into will likely be something built in 1958 or thereabout, but modern has existed since the early 1900’s and continues to be built today.
 
In considering this, we often lament and puzzle over the fact that “100 years later” the vast majority of the world still hasn’t caught on. Why do people insist on living in beige, tract mcHouses? It’s not cost (if done right, modern is actually cheaper, especially when pre-fabrication, meaning elements built off-site, comes into play). It can’t be looks (do people really think the cut-glass in their Lowe’s front door is fancy, although I realize: to each his/her own…?). And modern houses are much more responsible when considering the world and those who live on it (passive heating and cooling, renewable resources, energy-efficient pre-fabricated components, money/energy saving technologies and responsible amounts of square footage are all inherent to modern architecture).
 
So I think it has to be fear. People are scared to live in a house that they don’t understand. People are afraid to leave “the house they grew up in.”  People think modern means uncomfortable, stark and cold. But I believe that is all because they’ve never had the chance to experience the joys of modern.
 
When I think of modern, I think of the word “poignant.” Things are done for a reason. And when something is beautiful and poignant, it’s so much more exciting than something that is only pretty (if even that). I admit that I’ve been in plenty of houses where the idea of “modern” has trumped functionality, but personally I think this is irresponsible of the architect (sorry Phillip Johnson and friends).
 
Don’t get me wrong; there are lots of modern houses that I think are extremely elegant, visual masterpieces even, but I sure as hell wouldn’t want to live in them. Where do I put my rake and shovel? my table saw? my piles of laundry? the pieces of my childhood (Star Wars figures, roller skates and the Animal muppet) with which I simply can’t bear to part?
 
Modern architecture is a matter of really understanding the person who will occupy the home. And maybe this is where Mr. Johnson is off the hook. He was building the house for himself. Perhaps there are people who don’t have/need stuff, and they can live in a glass house, but I sure as hell am not one of them. I think a lot, if not most, people feel the same way.
 
ps Phillip Johnson built himself a giant “barn” on the Glass House property, along with a bunch of other buildings, to house his “stuff.” I guess when you’re rich you don’t need rooms; you can have whole separate buildings.
 
I believe clutter (rather, the fact that it’s “not allowed”) is the biggest issue that scares people away from modern houses. There’s so much openness that requires responsibility which in turn translates to discomfort. Well, I say screw responsibility! There is an easy solution. Just make sure your modern house includes an abundance of storage space (under the stairs, in the basement, in the garage, behind the Noguchi screen, in the Herman Miller wall unit)! When it comes time to organize and clean up, you should be able to simply throw everything that’s “out” into a storage unit, hidden space, separate room, the closet, or bins. You can still have your clutter (which seems to instill comfort in a lot of humans), but it’s not out for all to see. You can have the best of both worlds! Order and chaos.
 
This idea plays into one of my favorite things about modern: there’s little to no wasted space. You maximize your dollar amount for your sq. footage. You don’t have to have a giant house (somebody please blow up all the mcMansions) to have a lot of space. It’s my addiction to Tetris at an “adult” level. It’s actually fun to figure out where to hide all of my junk, and still have the house look open, clean and uncluttered.
Thank god for Ikea closet systems and storage solutions, especially when you can hide even those solutions out of site (Storage systems in closets? How dreamy).
 
p.s. Another important notion concerning modern, and one I will perhaps elucidate upon later, is distinguishing between “modern” and simply “contemporary” or “now.” On top of that, the word “contemporary” has grown it’s own connotations over the years, inferring a sort of 80’s style (think deco-based (but bastardized), Miami Vice drug lord beach house). A lot of time the architectural objects that people refer to as “modern,” especially when wandering around Lowe’s and Home Depot, are what I would refer to as contemporary, actually more post-modern, and most often, in my opinion, “bad.” Modern and Contemporary are very different things. Joey’s porcelain greyhound and rain-window fountain reek of Contemporary (do NOT call them modern), and would both be smashed with hammers if brought anywhere near my modern house.  However, I would consider housing a Tiki bar or 1950’s ray gun collection (things often referred to as Googie or Lounge) –but that’ s another story and aesthetic in and of itself.

Friday, October 1, 2010

Visual Acoustics :: The Modernism of Julius Schulman

I had the pleasure of seeing a film by Eric Bricker last year at the Tivoli Center in Denver.  The film was about the life and work of national treasure Julius Schulman, who’s photographs have educated us on the beauty of Mid-century architecture.  Recently I was reminded of the film when it popped up on my Netflix suggestions.  I’ve watched it several times since then.
 
Not only was the subject matter of the film beautiful and informative, but the graphics and typography employed in telling the story were also a joy.  Trollbaeck and Company did a fantastic job with the animation and design.  I love the simplicity of the first animation sequence (right after the opening titles), the way the photos open up to one another.  It’s such a simple idea, but such a fantastic effect, and it features Schulman’s photos with a wonderful dynamism.
 
The film is narrated by Dustin Hoffman.  Bricker told some great stories about Schulman and the film during the Q&A at the Tivoli, and it was fun to hear how they got Hoffman to agree to the project.
 
If you have the chance to see Visual Acoustics on a large screen, I would highly advise you to do so.  Schulman’s photographs at such a grand size are a wonderful thing to behold.  If you can’t make it to an actual screening (and even if you do), buy the DVD.  It’s worth having in your permanent collection.

Sunday, February 14, 2010

The Flaming Lips House

To be specific, the house belongs to Wayne Coyne, not the entire Flaming Lips clan.
 
And while the design is a little more 70’s Pantone than my beloved Midcentury Modern, not to mention a little more mish-mosh than what I’d typically go for, it’s still a pretty cool pad.
 
And kudos to Coyne and his wife for choosing to stay in Coyne’s childhood neighborhood rather than move to a more “uppity” locale.
 
There are some more photographs on the architect’s website (FitzSimmons Architects), but the video below gives you a more in-depth view of the project and the owner (though the bathroom area is not yet complete in the video).
 

From the architect’s website:
The owners have been actively engaged in the renovation of their house from design phase through construction, resulting in a one of a kind collaboration, that will continue in future phases.
 
For example, the Artist Wife, and General Contractor, who is also the Architect, together installed the celestial patterned family room and outside terrace floor of the recycled granite waste materials (ode to the original mason home builder). Other unique assets resulting from the collaboration, include hidden doors and passage ways leading from the Private areas of the House into the Bunker, a concrete masonry clad Box that is now used as the bands rehearsal and recording space. And the customized seats in the bathing pods tub portion, sculpted around the Husband and wife while they sat.

Thursday, September 18, 2008

LA: John Lautner House Tours

Would that I were wealthy and lived in LA. It seems that along with the Lautner exhibit at the Hammer Museum (Between Heaven and Earth: The Architecture of John Lautner -through October 12), the Hammer Museum is also conducting house tours of Lautner properties. http://www.hammer.ucla.edu/programs/65/

If you are able, I highly recommend you take advantage of this opportunity! If not, at least go see the exhibit at The Hammer Museum.

Tour I: Sunday, July 27, 2008
Tickets: $145 each


The Harpel Residence (1956)
The Tyler Residence (1953)
The Schwimmer Residence (1982)

Tour II: Sunday, September 14, 2008
Tickets: $145 each


The Jacobsen Residence (1947)
The Harvey Residence (1950)
The Reiner/Burchill Residence - also known as Silvertop (1963)

Tour III: Sunday, August 24, 2008
Tickets: $55 each


Sheats/Goldstein Residence (1963)

Tour IV: Sunday, October 12, 2008
Tickets: $55 each


Sheats/Goldstein Residence (1963)

Ticket prices are listed above and include admission to the exhibition, shuttle service, free parking (Tours I & II), discounted parking (Tours III & IV), and for Tour I and Tour II ticket buyers only--an active level friendship to the MAK Center at the Schindler House.

To purchase tickets for Tours I and II, you must be a member of the Hammer Museum at the Contributor level or above. Up to four (4) tickets can be purchased per membership. For more information on Hammer membership, click here. To purchase tickets for Tours III and IV, no membership is required.

Saturday, August 2, 2008

Bucky or Lautner, either's a good show

Whether you're on the East or the West Coast, you've got fantastic options for heading out to a great architecture exhibition right now. With Buckminster Fuller: Starting With the Universe (through Sept. 21) at the Whitney in NYC and Between Earth and Heaven: The Architecture of John Lautner (through October 12) at the Hammer Museum in LA, either one gets you an awesome exhibition of great mid-century architecture (and beyond).

If you're in NYC, you get to see the only existing Dymaxion!
If you're in LA, you get to see some of the greatest houses known to man.
Another exhibition worth mentioning, just a little further up the coast on the left is A Beautiful Nothing: The Architecture of Edward A. Killingsworth (through October 12) at Santa Barbara's University Art Museum. Man I love me some Killingsworth.

Saturday, February 2, 2008

The Genesis of the Real Mod Blog

I go cuckoo for Mid-century Modern.

Flat-roofed Eichlers, the gentle slope of a Cliff May, the sultry curve of Saarinen chair, the way a George Nelson light floats and casts a gentle glow... they all make the little hairs on the back of my neck stand on end.

My parents don't get it.

My brothers don't get it.

Most of my friends don't get.

(My wife gets it).

They realize that (I think) MCM is "cool," but they don't understand the degree to which I passionately love clean lines and reason or specificity in design. Outside of the clique-ness of it, the hip factor, they don't get the "why."

So many people view modern as cold, uncomfortable... unrealistic. But I think, like most things, the reason for this notion is mainly ignorance. Modern is misunderstood. People have gotten some ideas into their heads that make modern seem like something that it is not.

I hope to use this blog to explore this notion and perhaps help at least a few people see that one can live normally (dare I say better) while subscribing and adhering to modernist ideals.

...plus I'll get to find and publish pretty pictures of super cool houses and furniture.